Dialogues : David Simon
Scnario : David Simon & Anthony Bourdain
Ralisation : Ernest Dickerson

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- 01:25 - Shannon Powell est un batteur de La Nouvelle-Orlans qui est n et a grandi dans le quartier de Trem. On peut l'entendre dans "Treme Song", le gnrique de la srie.
http://en.wikipedia.org/wiki/Shannon_Powell

- 02:02 - "My heart pumps purple piss for him" - Clin d'oeil  une phrase qu'avait prononce Bunky Bunk (Antoine) dans The Wire.

- 04:37 - Janette circule avec Susan Spicer, vraie chef qui sert de base au perso de Desautel.

- 19:04 - http://en.wikipedia.org/wiki/Li%27l_Liza_Jane

- 28:12 - Oliver Thomas fut l'assistant du conseiller municipal Singleton.
http://blog.nola.com/times-picayune/2007/08/oliver_thomas_remains_more_tha.html

- 45:26 - Selon un rapport de 2010 de l'Associated Press, il y a plus de 27 000 puits de ptrole et de gaz abandonns.
http://www.nola.com/news/gulf-oil-spill/index.ssf/2010/07/27000_abandoned_oil_and_gas_we.html

- 50:44 - Sur les trois systmes scolaires : http://www.inside-treme-blog.com/home/2011/6/17/treme-fact-and-fiction-the-schools.html

- 54:20 - Les amateurs de "The Wire" auront remarqu le gros clin d'oeil et la similarit avec la scne de The Wire 5.02 - "Unconfirmed Reports" o Jimmy McNulty et Lester Freamon (Big Chief Albert Lambreaux dans "Trem") rencontrent Fitz, agent du FBI, au sujet du macabre dossier des 22 dcs dans les maisons scelles.

- 01:00:33 - Davis voque Deacon John, dont le perso dans Trem, Danny Nelson, tait le mentor d'Antoine dans la saison 1, avant de dcder.
http://fr.wikipedia.org/wiki/Deacon_John_Moore

- 01:04:11 - "Gumbo ya-ya" : rfrence  l'pisode 1 et  la description que fait Davis d'un concert auquel il assiste avec Annie o se mlent divers styles.

- 01:08:39 - Bootsy Collins est un bassiste funk avant-gardiste, un chanteur et un compositeur, membre fondateur du groupe The Pacemakers, qui joua en tant que backing band de James Brown, sous le nom de The JB's.
http://fr.wikipedia.org/wiki/Bootsy_Collins

- 01:08:43 - Bobby Byrd tait un musicien de funk, soul, R&B et gospel principalement connu pour avoir t le principal collaborateur et vocaliste de James Brown.
http://fr.wikipedia.org/wiki/Bobby_Byrd

- 01:14:05 - http://en.wikipedia.org/wiki/Mistick_Krewe_of_Comus

- 01:15:59 - Aprs avoir googl comme un ouf, j'ai dcid de mettre "Tous les temps en temps" mais il y a dbat sur la vraie forme de l'expression franaise cadjine en question ; la trad anglaise qui revient le plus souvent est "Every now and then".

- 01:16:52 - Le zarico est un genre musical apparu dans les annes 1930 en Louisiane, proche parent de la musique cadienne, incluant de nombreuses influences Blues et Rhythm 'n' Blues (jou par des Cadjiens et Croles noirs de Louisiane). Il trouve ses origines dans un vieux style de rythme appel "LA-LA" qui n'existe plus. L'instrument de prdilection est l'accordon. Le mot zarico viendrait de la perception anglo-amricaine d'un morceau traditionnel "Les haricots sont pas sals", devenu par la suite, "zarico", tout court. Le zarico se dit zydeco en anglais.
http://fr.wikipedia.org/wiki/Zarico

- 01:17:08 - "It's what makes it great" - Elle reprend une phrase que lui avait dite Harley.

- 01:17:36 - Les crevisses Monica est un plat de penne avec champignons et crevisses dans une sauce  la tomate et  l'ail.

- 01:19:29 - Les lves jouent "Do Whatcha Wanna", l'hymne de Mardi gras du Rebirth Brass Band, qu'on retrouve dans les crdits de fin.

- 01:23:55 - http://en.wikipedia.org/wiki/Kidd_Jordan


> Plus d'annexes (in english) : http://www.nola.com/treme-hbo/index.ssf/2011/07/treme_explained_do_watcha_wann.html

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- I need the casings that you have, the ones from the Seals crime scene. I'm working the case.
- Oh you are, huh? Shouldn't I worry that they're gonna disappear like every piece of evidence that's ever handed over to you people?
- Receipt for evidence: Two casings, signed and dated. You're covered. I'm responsible, all right? If the receipt isn't enough, she's a witness to whatever you hand me. That's first of all. Second of all, you're withholding evidence in an ongoing homicide investigation and you're an officer of the court. And more than that, you're fucking up whatever weak-ass chain of custody those casings might have. Are you really gonna make me call for a warrant on this fucking office? Is that where we're going?

- See, that's it. See? It's gonna end right here. I'm sick of this shit, all of it. So fuck all y'all and fuck being the fucking sad ass in charge. Dealing with this shit is like fucking raking leaves on a windy fucking day. But you know what? The motherfucking leaves are always talking shit back to you, so fuck it. I'm done! We done! I quit! Shit.

- I'd like to kick in some of my own. We'll take it up to an even 20.
- Wow. Woodrow. Thank you.
- Just don't tell anyone. Word gets around, I'll get laughed out of the music business.
- Oh, no problem. I'll just go around telling people you fucked me on my royalties and took off with my publishing like every other cat out there.

- Yeah well, we're all good men. We all love our mamas. We all root for the Saints. Last time I checked, Toni, this is still Louisiana.

- They lock up sous-chefs down there?
- Yeah, it's a tough town. Saucier gets in trouble, they shoot him on the spot.
- As they should, what with their saucy, fake personalities and their buttery, unctuous way of talking. They're an untrustworthy bunch.

- The fuck is wrong with you people? You lose my brother in the damn jail for months and then you let this vicious little motherfucker go the first chance you get. We trying to live in this city. We trying to come back here, put what little shit we got back together and live. And all y'all manage to bring to that is nothing. Rebuild a house? Hell no. "Fill out these forms and wait." Get your child back in school? Which one? You got three different school systems. Two of 'em ain't teaching shit and the third one can only hold but so many. Open the hospital back up? Hell no. Let's tear down some more neighborhoods instead. Solve a crime or two? Oh hell the fuck no!

- Oh fuck! I forgot something. Can we go back?
- No, no way.
- Oh fuck.
- Davis, no, no, no, no, no. You didn't remember your weed because you already smoked some of it today. It's almost poetic.

- You know, folks just are, Sof. Sometimes we're better than ourselves and sometimes we're worse. Sometimes we please and... sometimes we disappoint.

- Hold it. Whatcha gotta do first here, huh?
- Whatcha mean?
- Hey, come on. This is a paying gig, ain't it? Y'all professional musicians, right?
- Oh yeah.
- There you go. You see... You gotta seed that shit some. You know, right? You feeling me? All right. Play for that money.

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Always for pleasure, baby. 8)